stevemedcroft.com
21Mar/180

How to write a novel in 30-minute increments

Ambition is the root of all creation

It's important to have ambitions as a novelist. Having a clear vision for what you want to accomplish can go a long way to guiding you through the many opportunities you have to give up on the dream. Ambitions is helpful to guide your choices and provide the kick in the pants we all need to stay on track. And your ambition should be big.

So what are yours? Are they financial (financial freedom or getting rich)? Are they metric-based (a million books sold, listed on top of the New York Times Beset-seller list)? Are they merit-based (television or movie franchise made from your books)? Are they legacy-based (change the world with your work)?

Think about your big-picture goal. Create as real a picture as you possibly can about that ultimate place you want to reach with your lifetime of work. How would it feel to be at the end of your life looking back knowing you had accomplished what you set out to accomplish? How would you be living? Where will you be living? What does a bookshelf of your work look like?

My current ambition is to publish twenty novels in the next twenty years. I want to master the form to the best of my ability. I want own the self-identity of novelist. I want to write novels that entertain and inform and maybe even influence people to reflect on what it is to be human, to strive and reach for the greatest version of themselves (because that is what I am trying to do with my life). Success looks to me like respect from other writers, an audience who is affected by my work, and a life that ultimately requires no other sources of income to allow me to explore my creative self.

Momentum is the energy you need to harness to create

Using that lifetime achievement ambition as a flag planted in the ground to guide me, the big question I work on constantly is how can I find the time to create my novels when I have a busy life (work, family, travel, other obligations)? How does a person with creative ambition manage the competition for time to create and the need (want) to provide for my family and myself and live a standard, enjoyable, everyday American life.

I concede that I could drop everything in favor of my writing goal. Put everything else second. let my professional life suffer, spend less, live frugally, and one and on. Damn the consequences. Go all in and muster the pure will to mount the hill of my ambition. I could do that. But I would not be happy. People I love, people I chose to bring into my life (family, business partners, employees), would suffer and I feel it would be a selfish choice to abandon my role in their lives strictly for my own. In fact, not only can I not discard them all in pursuit of my ambition, I will not let my focus shift from what I need to do to make that part of my world work. I believe I can have both.

With focus, clear goals, and discipline, I believe I can create good novels in the space between the more real parts of my life. I can achieve my ambitions. I wouldn't be the first person to do it either. The world is littered with examples of people who achieved creative success starting from within the boundaries of a "normal" life. And the potential to be an example for someone else who is looking to do the same is exciting to me. That's real legacy.

The 30-minute novel

The challenge is more about focus and time management than whether or not it is possible to achieve my goal. I can write a book (create, write, edit, publish) in the space of year with only the fringes of time available. If I'm smart and if I'm ready to deal with the inevitable losses of momentum that will happen, I can make it. It's all in the doing.

I am a planner. I set goals. I create a strategy. I build a tactical plan. I organize my working life around accomplishing the tasks that need to be done every day to move me toward my goals. My approach to writing is no exception. I sometimes need to sit down and plot out a strategy to get a project done. I think best by writing so I wrote out the things I do to get my work done when I have limited time. The plan looks like this:

  1. Give something up. For me, television was the biggest culprit. I calculated how much time I watched television ion the evening and did some math and decided to swap that time for writing time. Not a direct swap (because I write better mid-morning). But free that time so everything I need to get accomplished can get accomplished and I also now have 2-4 hours a day that I can use towards my writing without sacrificing the things that are important to me (work, family, exercise, fun).
  2. Focus on productivity. Become an expert of focus, being able to turn on and turn off your creativity at will (it takes practice but can be mastered). Learn about and test out different methods for organizing your working day. I use the pomodoro method. It works for me. And I am a consumer of content of productivity and organization so I'm always looking for a new technique to try. What works for you?
  3. All you need is 30 minutes. With focus and a little preparation, you can accomplish real progress in a short amount of time. This is probably advice better suited to planners versus pantsers (writers who write their stories without much outlining and pre-planning, flowing organically with their creative process), but decide ahead of time what you need to work on next so when you sit down with a limited time window, you can jump right into the work.
  4. Start early and end late. It may not be fun to set the alarm clock 30-minutes early or sit down with my writing just as I was about to go to bed, but those fringes of time, when coupled with planning and a little focused energy, can produce significant advancement of the work-in-progress.
  5. Use your breaks. At my day job, I am not always great about taking a lunch break. I usually work straight through. But when I need to kick up some momentum on a writing project, lunch breaks become the perfect time to knock out a bit of work. When I'm really ambitious about putting in daily time on my current work-in-progress, I may even schedule in a mid-afternoon meeting for 30-minutes and use it to work on my story. These writing breaks make a great relief from the pace and responsibility of my day job and actually help me be more productive.
  6. Stop on the way home. When I need to get in a little extra time to work on a project, another trick I use to keep the work going is to stop somewhere on my way home from work. A coffee shop or a library usually. I plan ahead what I'm going to do with that time (beats, printed editable pages, marked-up page edits to enter), the knock out an hour or productivity before settling in at home for the night.
  7. Track your work. I created a spreadsheet to keep track of the work I do during every one of these mini sessions. When I'm writing drafts, I track word counts. When I'm editing, I count pages. I come up with a score for each session (word or pages-per hour). Keeping score lets me game myself to stay in track and accomplish my micro-goals. Because I'm working with limited buckets of time, being honest with myself about what I accomplish is important to being true to my ambition.

If you're not as much a planner as me, you may read the above and feel like I have managed to suck the magic out of writing (Where is the fun in sex if it's scheduled from noon to 12:45pm every second Tuesday?). Don't worry. There is just as much story magic in a disciplined and organized approach as there is in the free-form (panther) method. I still finish a work session and look back at the work I did and wonder where did it come from. I still feel flow when I write. I just have to organize my life so when its time to create, I can drop into flow immediately.

Again, this is what works for me. What about you? What is your big ambition (don't be afraid for it to be monumentally big)? What is your work process? How are you most productive? And what do you do when you get off the rails?

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